Self piercing rivet gun12/10/2023 ![]() John: We will jinx it by not being nearly as good today. I was really happy with our last episode. You have to be environmentally conscious when you’re sacrificing animals to produce a podcast about screenwriting.Ĭraig: Damn straight. Well, I used to use like the disposal tarps, and then I was like bills started piling up. John: Even with the tarp down, it’s a lot.Ĭraig: I know. John: Just the amount of blood that you have to go through and living in a small apartment, it’s just a mess. For one year we’ve been sacrificing large animals. Where we sacrifice the small animals at the altar and then we fire up our microphones and do the normal show.Ĭraig: I know. We get to just go back to our normal - just our normal thing. And honestly just from a selfish point of view, we can stop doing this bizarre thing where it’s either crazy late at night for me or crazy late at night for you. As a US citizen I believe they need to let me back in the country, but that hasn’t stopped them from trying to stop other people.Ĭraig: Well, we are certainly excited to have you back. We have our visas for living here in France. ![]() John: It has gotten kind of weird over in your country. I am moving back to the US in 24 hours.Ĭraig: I mean, are they going to let you back? Because, you know, it’s gotten a little weird over here. We got to pack a lot in, because I am packing up. We’ll also be looking at suggestions for reducing sexism in screenplays and answering listener questions about writers on set and giving feedback on friends’ scripts.Ĭraig: That’s a lot. What kinds of things can and cannot happen in their films. Today on the show, we’ll be looking at how screenwriters signal to audiences. John: And this is Episode 308 of Scriptnotes, a podcast about screenwriting and things that are interesting to screenwriters. The original post for this episode can be found here. ![]()
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